Related Paintings of unknow artist :. | Portrait of a Princess | Temple and flowerbed in the garden of the Hon | Still life floral, all kinds of reality flowers oil painting 165 | Hess s Jens station | Willem motor van they Velde the never am failing answerable ago that utmarkta cartoon abaft of Mordaunt,ett British vessel with 46 cannons |
Related Artists:
Joseph Raphael
1869-1950 Joseph Morris Raphael holds a high place in the California, American and French Schools of Impressionism. Born in the town of Jackson, California on June 2, 1869, Raphael became one of the most famous students of his esteemed teacher Arthur F. Mathews at the California School of Design. Later Raphael would continue his art studies in Paris at the Ecole des Beaux-Arts, and at the Academie Julian under Jean-Paul Laurens. Early in his career he made the decision to settle in Europe in Uccle, Belgium where he and his wife established a home and raised their family. For most of his career he remained a devoted follower of pure French Impressionism. He painted the countryside near his home in Uccle, Belgium and also ventured to Holland and France to paint. Just as Raphael's international reputation grew, his family grew as well to include four daughters and one son. His family frequently appeared in his figurative works, he created wonderful closeup studies of his children and frequently captured them in leisurely picnic settings. Other paintings featured local landscapes, and sometimes his charming cottage home with its vegetable and flower gardens which were perhaps a source for his still lifes of fruits, vegetables and flowers. He lived and worked in Europe for thirty-seven years always maintaining close ties with the San Francisco art community and his loyal art dealer and collector Albert M. Bender. In 1939 with the ominous clouds of World War Two approaching, he wisely chose to return to San Francisco where he lived and maintained a studio on Sutter Street until his death on December 11th, 1950.
John Pettie
British Painter, 1839-1893 He was brought up in Edinburgh and East Lothian, and in 1855 he entered the schools of the Trustees' Academy, Edinburgh, sponsored by the history painter James Drummond (1816-77). He studied under Robert Scott Lauder, and among his fellow students were WILLIAM QUILLER ORCHARDSON, Thomas Graham (1840-1906), George Paul Chalmers (1833-78), John Burr (1831-93) and John MacWhirter, several of whom later became part of Pettie's circle of Scottish artist friends in London. Pettie first exhibited at the Royal Scottish Academy in 1858 with In Trabois House (untraced), a scene from Sir Walter Scott's The Fortunes of Nigel, and he began sending work to the Royal Academy in 1860. From 1858 he provided illustrations for the periodical Good Words, and, encouraged by the reviews received for his early Royal Academy exhibits, such as The Armourers (exh. RA 1860) and What D'Ye Lack' (exh. RA 1861), when Good Words transferred its headquarters, Pettie moved to London in 1862. He shared a studio in Fitzroy Square with Orchardson and Graham from 1863 until his marriage to Elizabeth Ann Bossom on 25 August 1865. He subsequently lived at various addresses, gravitating towards the wealthy artistic colony in St John's Wood, where in 1882, at 2 Fitzjohn's Avenue, he built a neo-Georgian house and studio, The Lothians (destr.). This reflected not only the professional circle in which Pettie moved but also the rapid financial success that he achieved in London. From the mid-1860s his most important patron was John Newton Mappin, founder of the Mappin Art Gallery,
Luis Eugenio Melendez
(Naples, 1716-Madrid, 1780) was a Spanish painter. Although he received little acclaim during his lifetime and died in poverty, Melendez is recognized today as the greatest Spanish still-life painter of the 18th century. His mastery of composition and light, and his remarkable ability to convey the volume and texture of individual objects enabled him to transform the most mundane of kitchen fare into powerful images. Luis Egidio Melendez de Rivera Durazo y Santo Padre was born in Naples in 1716. His father, Francisco Melendez de Rivera Diaz (1682- after 1758), was a miniaturist painter from Oviedo who had moved to Madrid with his older brother, the portrait painter Miguel Jacinto Melendez (1679-1734) in pursuit of artistic instruction. Whereas Miguel remained in Madrid to study and became a painter in the court of Philip V, Francisco left for Italy in 1699 to seek greater artistic exposure. Francisco took a special interest in visiting the Italian academies and settled in Naples where he married Maria Josefa Durazo y Santo Padre Barrille. Luis was a year old when his father, who had been a soldier in a Spanish garrison and lived abroad for almost two decades, returned to Madrid with the family. Luis Egidio, his brother Jose Agusten, and Ana, one of his sisters, began their careers under the tutelage of their father, who was appointed the King's Painter of Miniatures in 1725. After several years, in his words: painting royal portraits in jewels and bracelets to serve as gifts for envoys and ambassadors, he entered the workshop of Louis Michel van Loo (1707-1771), a Frenchman who had been made royal painter of Philip V of Spain.